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The Panasonic FX75 got a lot of attention when it launched for its fast f/2.2 maximum aperture lens and a 3.0-inch touch screen, but how is performance across the board? Take a look at our analysis of the FX75.
We had high expectations of the Panasonic G2 and it didn't disappoint us.
The Panasonic Lumix G10 shares much of its genetics with its G series Micro Four Thirds predecessors, including a 12.1 megapixel Live MOS sensor, but its $600 introductory price makes it the lowest priced Lumix MFT camera yet.
The Panasonic Lumix DMC-GF1 is the latest member of the Micro Four Thirds family, a platform that promises DSLR-esque image quality and performance in a compact form factor.
A casual glance at the Panasonic Lumix DMC-FP8 might leave you wondering where the lens is.
The Panasonic Lumix DMC-FX580 strikes a nice balance between integrated touch screen functionality and good old-fashioned physical buttons.
Panasonic brought us one of our favorite cameras of 2008 in the Lumix FX35, but a subsequent update, the FX37, left us wishing for more performance improvements.
The Panasonic Lumix FS25 is squarely positioned for the beginner, equipped with advanced auto shooting and exposure modes.
It's a still camera.
A light update to the popular FX35, the Panasonic Lumix DMC-FX37 keeps all of the bells and whistles that made its predecessor such a fun, flexible camera: it's slim, chic, easy to use, and offers an even more versatile version of what may be the best wide-angle lens currently a
The Panasonic Lumix DMC-FX150 delivers on consumer desires for more power and more resolution, generating absolutely mammoth 14.7 megapixel images while also including all the bells and whistles users have come to expect from premium point-and-shoot digital cameras.
We've been talking about it for months, but the wait is finally over: the jury is no longer out on the Panasonic Lumix DMC-G1.
We'll be publishing our detailed review of the Panasonic Lumix DMC-G1 next week.
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