My photographic heroes have always been "straight shooters" - documentary, street/candid, Natural/Available Light, and environmental portrait photographers. Famous straight-shooters used compact Leica 35mm rangefinder cameras to capture many of the iconic moments that defined 20th century history. The 21st century reincarnations of those classic rangefinders are small, feature rich, easy to use, and unobtrusive premium point and shoot digital cameras and compact camera systems. Samsung's EX2F may look like a typical compact point and shoot digital camera at first glance and it will function nicely as a point and shoot camera, but it was actually designed for "old school" straight-shooters and photo enthusiasts. Unlike the "auto exposure only" digicams currently dominating the P&S marketplace, it permits full manual control of exposure. In hand, the new Samsung EX2F (which replaces the popular EX1) evokes tactile memories of those classic Leica IIIFs and M4s. Artists, photo-journalists and investigative reporters, street shooters, documentary photographers, and enviromental portraitists will absolutely adore the EX2F's f/1.4 maximum aperture, which provides this elegant little digicam with the uncanny ability to capture beautifully textured and graphically realistic images in lighting that would severely challenge most cameras.
The Samsung EX2F currently sells for $369.
Build and Design
The Samsung EX2F is an attractively understated camera with an 1/1.7-inch BSI CMOS sensor. It is small enough to be dropped in a jacket pocket and light enough to be used all day without fatigue. The EX2F features a robustly constructed magnesium body over a light-weight metal alloy frame. The EX2F's build quality is reminiscent of the precision machining and iconic mechanical engineering of premium quality German cameras from the fifties - it was clearly manufactured to withstand the rigors of heavy use. Most current point and shoot digital cameras come with a flimsy wrist strap, but the EX2F sports a neckstrap which not only provides better protection against drops and bumps, but also saves a few seconds when a Kodak moment occurs; since the camera is always ready to go - rather than in your pocket, or worse yet, at home.
Like most current P&S cameras the EX2F doesn't provide an optical viewfinder -- the EX1 offered an an optional OVF (that mounted in the hot shoe), but that option isn't available yet on the EX2F. Users must rely instead on the 3.0 inch (614,000 pixels) tilt-swivel camcorder style AMOLED monitor screen for all framing/composition, captured image review and menu navigation chores. Most modern shooters rarely use optical viewfinders even if they are present. And, in many shooting scenarios, it is actually quicker and easier to watch the decisive moment come together on the monitor screen than it is through an optical viewfinder. The EX2F's monitor screen can be rotated up to 270 degrees. This allows users to sneakily frame subjects, get closer and manage the plane of focus more accurately in macro mode, shoot above the heads of the crowd, and, when not in use, turn the monitor inward to protect it from smudges and scratches.
The EX2F's monitor screen is bright, hue accurate, fluid (movement is smooth - not jerky), automatically boosts gain in dim/low light, and covers approximately 100% of the image frame. The EX2F's screen, like all monitors is subject to fading and glare/reflections in bright outdoor lighting, but I didn't have any problem using the the monitor to frame and compose my images, even in bright outdoor lighting. The default info display provides all the data this camera's target audience is likely to want or need.
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